Back in July, Daisy attended a press conference for ‘Star Wars: The Last Jedi’ in Hollywood. She looks adorable (as always). High quality pictures have been added to the gallery, check them out!

GALLERY LINKS
Studio Photoshoots > Portraits & Press Conferences > 2017: ‘Star Wars: The Last Jedi’ Press Conference

DEADLINE – The hot new pitch du jour that studios are circling is an untitled comedy that will be written by Aaron & Jordan Kandell, who worked on Moana and whose last spec script, Adrift, netted an STX deal with Baltasar Kormakur directing Shailene Woodley in the survival tale. The new pitch has Josh Gad, Luke Evans and Star Wars‘ Daisy Ridley attached and it is expected to land quickly. I’m told the best way to describe it is a character-driven comedy that takes an original spin on the superhero genre.

Gad is coming off Beauty and the Beast and currently stars in Marshall; Evans also is coming off Beauty and the Beast along with The Fate of the Furious; and Ridley next stars in Star Wars: The Last Jedi. WME is out with the project. Stay tuned.

As you know, Daisy is on the cover of Vogue (US) magazine for their November issue. In a previous post, we shared the outtakes and her two interviews. We finally added the digital scans so please make sure to grab your own copy and to check our gallery. Enjoy!

GALLERY LINKS
Magazine Scans > 2017 > Vogue (November)

Daisy graces the cover of Vogue magazine, November 2017. The first outtakes have been added to the gallery and you can read her interview and watch Daisy answers to 73 questions below! Make sure to keep an eye on the site for the scans.

VOGUE “They’re really heavy,” Daisy Ridley says. “Three, four, five kilos? And the weight’s very unevenly distributed.” She’s talking about lightsabers—and explaining that if you’re actually in a Star Wars movie, you can’t just pick one up and wave it around, as children have been doing in their bedrooms for the past 40 years. Not at all. In real life—or rather, for real movies—special conditioning is in order. Before she could film fight scenes for Star Wars: The Last Jedi—the second in the trilogy in which she plays Rey, the heroine—she undertook a kind of neon martial-arts training. “You do, like, eight thwacks one way, eight the other, eight up, eight down,” she says. I suggest they could market that as a form of exercise. “Yeah,” she agrees, laughing: “Lightsaber school.”

We are driving from Ridley’s hotel in Beverly Hills to a convention center in Anaheim, where 7,000 Disney fans will turn up to see her stand on a stage for a few minutes with the cast of The Last Jedi. She has been groomed for the occasion—three braids on one side of her head, revealing the tiny peace-sign tattoo behind her right ear, a Lela Rose off-the-shoulder pantsuit, and Pierre Hardy pumps embellished with eyes. Ridley, a 25-year-old Londoner, is plainspoken and fast-­moving, with a wide face and eyelids that look as though they’ve been painted onto it with a brush. (“People really open up to me; it’s hilarious,” she tells me. “Someone said it’s because I have a big face—I look honest.”) In the classic mode of contemporary London, expletives punctuate her speech. She occasionally phrases things musically, as if improvising a show tune, yet there’s something about her that suggests she’s allergic to nonsense.

When we meet, Ridley has been seen by the general public in only one film. But because that film is Star Wars: The Force Awakens, she has been thrust into a limelight comparable only, perhaps, to the attention directed at Harry Potter upon his arrival at Hogwarts. “Understand the scale,” the film’s director, J. J. Abrams, told her when he offered her the part. “This is not a role in a movie. This is a religion for people. It changes things on a level that is inconceivable.” Ridley nodded enthusiastically, but she really had no idea. “You don’t know what you’re getting into,” she tells me more than three years later, still sounding stunned.

Continue Reading