Magazine Scans

‘Murder on the Orient Express’ is once again featured in the latest issue (December) of Total Film including a Q&A with Daisy and Rey made it to the magazine’s 100 greatest movie characters list. Head over to our gallery for the scans!

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Magazine Scans > 2017 > Total Film (December)
Magazine Scans

As you know, Daisy is on the cover of Vogue (US) magazine for their November issue. In a previous post, we shared the outtakes and her two interviews. We finally added the digital scans so please make sure to grab your own copy and to check our gallery. Enjoy!

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Magazine Scans > 2017 > Vogue (November)
Interviews, Magazine Scans, Photoshoots, Videos

Daisy graces the cover of Vogue magazine, November 2017. The first outtakes have been added to the gallery and you can read her interview and watch Daisy answers to 73 questions below! Make sure to keep an eye on the site for the scans.

VOGUE “They’re really heavy,” Daisy Ridley says. “Three, four, five kilos? And the weight’s very unevenly distributed.” She’s talking about lightsabers—and explaining that if you’re actually in a Star Wars movie, you can’t just pick one up and wave it around, as children have been doing in their bedrooms for the past 40 years. Not at all. In real life—or rather, for real movies—special conditioning is in order. Before she could film fight scenes for Star Wars: The Last Jedi—the second in the trilogy in which she plays Rey, the heroine—she undertook a kind of neon martial-arts training. “You do, like, eight thwacks one way, eight the other, eight up, eight down,” she says. I suggest they could market that as a form of exercise. “Yeah,” she agrees, laughing: “Lightsaber school.”

We are driving from Ridley’s hotel in Beverly Hills to a convention center in Anaheim, where 7,000 Disney fans will turn up to see her stand on a stage for a few minutes with the cast of The Last Jedi. She has been groomed for the occasion—three braids on one side of her head, revealing the tiny peace-sign tattoo behind her right ear, a Lela Rose off-the-shoulder pantsuit, and Pierre Hardy pumps embellished with eyes. Ridley, a 25-year-old Londoner, is plainspoken and fast-­moving, with a wide face and eyelids that look as though they’ve been painted onto it with a brush. (“People really open up to me; it’s hilarious,” she tells me. “Someone said it’s because I have a big face—I look honest.”) In the classic mode of contemporary London, expletives punctuate her speech. She occasionally phrases things musically, as if improvising a show tune, yet there’s something about her that suggests she’s allergic to nonsense.

When we meet, Ridley has been seen by the general public in only one film. But because that film is Star Wars: The Force Awakens, she has been thrust into a limelight comparable only, perhaps, to the attention directed at Harry Potter upon his arrival at Hogwarts. “Understand the scale,” the film’s director, J. J. Abrams, told her when he offered her the part. “This is not a role in a movie. This is a religion for people. It changes things on a level that is inconceivable.” Ridley nodded enthusiastically, but she really had no idea. “You don’t know what you’re getting into,” she tells me more than three years later, still sounding stunned.

Continue Reading (…)

Magazine Scans

As announced on twitter, Daisy and Mark Hamill are on the cover of Empire magazine for ‘Star Wars: The Last Jedi’ with several new stills and behind the scenes photos. ‘Murder on the Orient Express’ is also featured with a new look at Daisy as Mary Debenham. Digital scans have been added to our gallery, check them out!

GALLERY LINKS
Magazine Scans > 2017 > Empire (October)
Magazine Scans

I have updated the gallery with a few scans from the latest issue of Total Film magazine featuring ‘Murder on the Orient Express’.

Magazine Scans

Daisy graces the cover of Entertainment Weekly as her ‘Star Wars’ character Rey for the August 18 issue. The feature includes new images and interviews about ‘The Last Jedi’. Digital scans are now available in our gallery, thanks to our friend Luciana.

GALLERY LINKS
Magazine Scans > 2017 > Entertainment Weekly (August 18)
Magazine Scans

I’ve added scans from the latest issue of Empire magazine, featuring ‘Murder on the Orient Express’ with a new promotional picture!

Magazine Scans

As you know, the cast of ‘Star Wars: The Last Jedi‘ graces the cover of Vanity Fair (Summer 2017 issue). We’ve updated the gallery with digital scans of the full feature, thanks to our friend Mouza!

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Magazine Scans > 2017 > Vanity Fair (Summer)
Magazine Scans

As posted earlier this week, Entertainment Weekly gave us the first look at Daisy’s upcoming film Murder On The Orient Express. The gallery has been updated with HQ digital scans! Check them out!

GALLERY LINKS
Magazine Scans > 2017 > Entertainment Weekly (May 12)
Interviews, Magazine Scans

ENTERTAINMENT WEEKLY – All aboard! And we mean all aboard!

It is no exaggeration to say that a goodly portion of planet Earth’s most famous residents have gathered today at Longcross Studios outside London to shoot a scene set at Stamboul (now Istanbul) train station for director Sir Kenneth Branagh’s adaptation of Agatha Christie’s Murder on the Orient Express (out Nov. 22). Branagh, who also plays Christie’s famous Belgian detective, Hercule Poirot, is present and properly dressed in 1930s-era attire. So too are Star Wars heroine Daisy Ridley, Michelle Pfeiffer, Willem Dafoe, Hamilton star Leslie Odom Jr., and British acting royalty Dame Judi Dench and Sir Derek Jacobi. But wait, there’s more. In one corner of the soundstage, Josh Gad and Olivia Colman (Broadchurch) are discussing the Police Academy franchise; Penélope Cruz is gliding past the re-creation of a vintage train talking on her phone in Spanish; and Johnny Depp is ruminating to your reporter about the likelihood of his character’s long brown coat being made out of leather. “I’m feeling like it’s fake,” he says — incorrectly, as the film’s Oscar-winning costume designer, Alexandra Byrne (Elizabeth: The Golden Age), will later attest. However the most eye-catching sight is not a person but a thing: the fake mustache sported by Branagh. The item is so extravagantly outsize it almost seems more alien face-hugger than facial fuzz. “When I saw it I was like, Holy moly!” says Ridley. “But this is a larger-than-life story, so why not make the mustache larger, too?”

Poirot is always well-groomed, whether on the page or the screen. The Belgian’s care over his appearance reflects an obsessively meticulous nature, which enables him to investigate the most complex and horrific of crimes, including the brutal attack at the center of Murder on the Orient Express. First published in 1934, and inspired by Christie’s journeys on the real-life luxury locomotive which then ran between Istanbul and Paris, the book finds Poirot investigating a fatal stabbing. With the Orient Express marooned in a snowdrift and the murderer trapped on the train, Poirot interrogates a dozen or so suspects before gathering them together to hear him solve the case. The book’s large number of supporting characters allowed Branagh to cast stars keen to take roles that were chunkier than cameos but did not demand too much of their time. Even so, putting together a schedule capable of catering to the collective calendars of Depp, Pfeiffer, Cruz, et al. was no easy feat. “It was a ton of planning, I’ll tell you,” the director concedes. “A delicate web of availability.”

Murder on the Orient Express may squeeze about as many famous folks as is physically possible into a single movie. But the cover story on Branagh’s film is just the start of starry shenanigans you’ll find in this week’s issue of Entertainment Weekly. Elsewhere, Ridley Scott looks back on his career; Zoe Saldana looks forward to making four Avatar sequels; and Tituss Burgess looks at life through the bottom of a wine glass as EW writer Bill Keith spends a very happy hour with the Unbreakable Kimmy Schmidt star. Plus!!! To commemorate Mother’s Day, John Waters, and Kathleen Turner recall the making of comedy classic Serial Mom.